Angels in the Outfield is a lighthearted baseball movie about Guffy, the belligerent coach of a losing team who “meets” an angel. The angel, who is by no means tender or sweet, challenges Guffy to shape up. With a take-it-or-leave-it attitude, the angel offers to help Guffy win some ball games if he can stop fighting and using foul language. Guffy, who is convinced of the angel’s existence and power, sets out be a better man—at first if only for the sake of winning more games.
Guffy is played by Paul Douglas, with great turns by: Janet Leigh, as the reporter obsessed with covering Guffy’s every move; Spring Byington, as the pragmatic nun—and baseball enthusiast—who runs the orphanage; and Donna Corcoran as the adorable orphan whose prayers for her losing team prompt a band of angels to come to the rescue.
Director William Wellman served in France during WWI with the Lafayette Flying Corp. He put this experience to good use in the 1927 WWI movie Wings, winner of Best Picture at the very first Academy Awards ceremony.
Wellman’s war movies bring war down to the human level. The 1949 movie Battleground tells the story of the Battle of Bulge from the point of view a company of the 101st Airborne. The men are moved around in the snow from unknown point to unknown point, trying to keep warm, scrounging for something to eat, hoping not to lose another friend. They don’t even know for sure what country they are in.
Star Wars fans may not be familiar with mythologist Joseph Campbell whose work influenced George Lucas’ Star Wars. In 1988, conversations between journalist Bill Moyers and Joseph Campbell about mythology and its importance to society were filmed at Skywalker Ranch. Campbell’s book The Power of Myth was based on these conversations and includes many references to Star Wars characters. I recently re-watched the documentary, The Power of Myth, and found that Campbell’s ideas remain relevant and thought-provoking.
Being John Malkovich is one of those quirky, funny movies that you just can’t miss. Craig Schwartz (John Cusack) is a puppeteer who discovers…well, let’s just come out and say it…he discovers a portal directly into the brain of John Malkovich. Anyone who walks through the door will actually see what John Malkovich sees for about 15 minutes.
Follow the joys and struggles of twelve senior women and one man as they try out, train, and perform as a dance team for the New Jersey Nets basketball team. It is exhilarating and inspiring to watch this determined diverse group of people deal with the pressures of learning new routines in order to fulfill a dream. The crowd goes wild when the team comes out during halftime seemingly to perform a Gene Kelly number and instead breaks into hip-hop. A media frenzy ensued, and they were featured in US News and World Reports and on The Early Show, Saturday Night Live, and the Today Show. This documentary film shows age is a state of mind, not a date of birth.
Gotta Dance has inspired a Broadway musical. See if it inspires you.
Gregory Peck plays an Irish Monsignor, who, during WWII, rallies an unlikely group of people to shelter Allied soldiers and Jews in Nazi-occupied Rome. The events in The Scarlet and the Black are inspired by true events, and the character of Monsignor O’Flaherty, inspired by a real Vatican priest. Gregory Peck is brilliant here as the lively and cunning O’Flaherty who goes up against Coronel Herbert Kappler, the head of Nazi operatives in Rome. Kappler, in turn, is deftly played by Christopher Plummer. While cold and ambitious, the colonel is also a dedicated family man—certainly not a one-dimensional character.
Plummer and Peck don’t share too much time on-screen, but when they do it’s a delight. Shot on location in Rome, this beautiful film features great acting and a well-placed plot. A must-see in my book.
This screwball comedy from the golden age of movies is the story of a backward scientist who falls in love twice with the same woman. Picked up by an ocean liner on his way home from a scientific expedition in South America, Charles Pike (Henry Fonda), heir of the Pike’s Ale Pikes, falls under the charms of shipboard card sharps, one of them the beautiful Jean (Barbara Stanwyck). Bewitched, bothered, and bewildered by the beautiful Jean, he proposes, only to find out Jean’s true background and break off the engagement.
Bent on revenge, Jean shows up in Connecticut, now sporting an English accent and presenting herself as the Lady Eve. Smitten all over again, young Charles does exactly what Jean had planned—falls in love with her all over again. Unluckily for Jean and her plans, though, she kind of loves the backward boy.
Medical resident Liv Moore (Rose McIver) has just had her life turned upside down when what starts out as a boat party turns into a zombie outbreak. Liv escapes with just a scratch, but that scratch makes her one of the undead, forcing her to break off her engagement, leave her residency program, and take a job in the city morgue. So long as she eats the brains of the bodies that come in, she’s able to maintain her own cognitive functions and pass as living, but the brains come with an unfortunate side effect: the memories of the deceased. Armed with these memories, Liv pretends to be a psychic and teams up with police officer Clive Babineaux (Malcolm Goodwin) to help find justice for the murdered victims that get sent to her morgue. Meanwhile, her new boss and friend Ravi (Rahul Kohli) works to find a cure, one that could help Liv, but would interfere with the plans zombie Blaine (David Anders) has for infecting and exploiting Seattle’s wealthy community.
This film has an eerie feel to it from start to finish, and when you finally figure out what’s happening, you will be blown away. Written and directed by M. Night Shyamalan, The Sixth Sense follows child psychologist Dr. Malcolm Crowe (Bruce Willis) as he tries to redeem himself after his last patient committed suicide. He is now trying to help young Cole Sear (Haley Joel Osment), who has an ominous secret. Cole’s mom is beside herself with worry over Cole, whose numerous phobias make life frightening and unbearable. Can Dr. Crowe figure out the secret?
In Gotham City, everyone is used to Batman being the absolute main character. However, in the show Gotham, Batman doesn’t exist yet. There is only Bruce Wayne: a young boy overwhelmed by the trauma of witnessing the cold-blooded murder of his parents.
Instead, the show revolves around the adventures of Jim Gordon, a young detective that recently joined the Gotham City PD, who struggles to catch bad guys while dealing with the rampant corruption in the city. His first case? Solve the murders of Thomas and Martha Wayne.